Here's
a ray of light, traveling in a straight line. Notice the individual
photons of light. When photons hit a clear material that's denser than air
(like water), the photons slow down (shown here bunched together).
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Light
moves even slower when traveling through diamonds, because diamonds are
much denser than water. Examples of refractive materials are water, glass,
and plastic.
Refractive index is a number describing the optical density of transparent
materials. Denser stuff has a higher number. For instance, the refractive
index of:
Air
Fresh water
Seawater ranges
Plastics range
Diamond
Glass ranges |
1.0
1.33
1.338 to 1.359
1.44 to 1.71
2.41
1.44 to over 2.2 |
The higher the refractive index, the slower light will travel and the
more it can be bent.
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If
a light ray hits a refractive medium at an angle, notice that the photons
tilt. This tilting causes the photon to change direction. The corner of
the photon entering the refractive material first slows, while the other
side keeps moving fast because it is in the less dense air. When exiting
the water, back into the less dense air, the side that exits the water
first speeds up... so the photon tilts again.
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When
photons hit the super-dense diamond, the speed of light slows radically...
so there's more bending. Diamonds have a higher refractive index than
glass or water.
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The
controlled bending of light rays is what optical design is all about.
Optical designers have infinite ways to curve the sides of glass and
plastic and thereby create lenses. But there are only two basic types of
lenses...
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Positive
lenses... which are always thick in the middle and thin at the edge. They
come in different shapes but are always thick in the middle and thin at
the edge.
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and...
Negative lenses... are always thin in the middle and thick at the edge.
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Positive lenses converge light rays. |

Negative lenses diverge light rays. |
When
looking through a window with air on both sides, your view path doesn't
bend.
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Now with water on the other side of a conventional mask, your center view
angle doesn't bend... But all of the off-axis rays bend... that's called
REFRACTION. The further off-axis the view, the more the light ray bends.
This is why objects look bigger and closer under water.
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When
a camera lens inside an underwater housing is at the center of a dome,
every direction the lens sees is perpendicular to the dome wall (not
off-axis). Above water a dome has no optical power.
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But, underwater with air trapped inside, this shape behaves like a
negative power lens and shifts the focus. Why is that?.
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Remember
all the negative lenses have a thin center and thick edge, just like this
concave / plano lens.
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Water
curves against the camera dome, forming a concave shape. Notice that in
this side-view the water column has a thick edge and thin center. Water is
being shaped like a negative lens.
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How
do we fix the focus shift problem? Remember that when we combine lenses of
equal but opposite power, the result is zero power.
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An
object may actually be 15 feet away from the dome, but underwater the
camera has to focus much closer, usually less than two feet. Photographers
use accessory close-up lenses (positive diopters) inside their housings to
neutralize the negative power caused by the water curved on the dome.
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The
cornea of this normal eye allows the person to focus both near and far
away. But this naked eye cannot focus as close as someone who's
nearsighted.
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A
person who is nearsighted has a thicker than normal cornea. Just like a
camera behind a dome, this naturally nearsighted eye has excess positive
power attached. This is why many nearsighted divers can use the MEGA™
series diving masks with their naked eyes (this simple
at home test lets you know).
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Most
people with 20/20 vision can't focus as close as most nearsighted people.
And people who are nearsighted cannot focus far away without wearing
negative power prescription lenses.
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Any
20/20 diver can wear positive power contact lenses to become temporarily
nearsighted. Why? For the same reason underwater photographers using domes
attach positive power accessory lenses to the front of their wide-angle
lenses.
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If
you've got 20/20 vision with your naked eyes, by wearing comfortable
contact lenses, you'll get a view that's 350% wider than any flat diving
mask. Your underwater focusing range will be completely natural; just like
what you would expect in air.
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Besides
having a remarkable wide view, HydroOptix™ gives you a quality of view
unlike anything you've ever experienced -- razor-sharp, distortion-free
from edge-to-edge. The MEGA™ series diving masks' edge resolution is 100
times greater than the edge resolution of flat diving masks.
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